04.03.10
Au Portugal, à Vila Nova Famalicão, l’agence d’architecture Castanheira et Bastai a réalisé ce bâtiment d’exploitation pour le vignoble Casa Da Torre. Une architecture de bois, entre tradition et modernité.
Photographies: Fernando Guerra
Pour en savoir plus, visitez le site de Carlos Castanheira.
Sur ce projet, Carlos Castanheira précise:
« A winery is no longer what it used to be.
I once knew wineries where cobwebs and dust, were the sign of time passing and of the times.
Time was also, almost always, the sign of quality, as the wine that got preserved over time, at the time, was good wine, which got even better after being left there for a few years.
Wineries are changing and they no longer have room for dust nor for cobwebs.
Now they are true laboratories, ruled by strict laws of employment and hygiene. They obeying a finely tuned science of dosage, temperature control, accelerated or slowed down, with more or less chemistry. In some cases, a winery is a place of real alchemy.
The Winery of Casa da Torre already existed, as good wine was already being produced at the property. The will to produce more wine, better and in accordance with the new rules led to having to rethink the winery and inevitably to enlarge it.
The siting and orientation are excellent. Half buried into the site, its southern side is sheltered from direct sunshine and resulting high temperatures. The western side also is sheltered. To the north, is a high and thick granite wall. To the east, are the access and entrance areas.
The extension added only what was necessary, trying to respect what was already there.
The transformation started at roof level: from a complex variety of different structures and planes a two way pitched roof was created.
A cross span of 18 meters forced the introduction of a row of central pillars, which were undesired and undesirable and which were therefore reduced to a minimum.
The roof structure in laminated timber is a simple one, despite the four stanchions that emerge from each pillar, to support the roof trusses.
Steel cables are used to restrain the great horizontal thrust generated by the weight of the structure and roof finishes.
Inside, the choice of materials was guided by the parameters of hygiene, durability and maintenance.
The timber vats and tubs were replaced by stainless steel tanks rigorously lined up, with their generous bellies, some full, others waiting to receive the precious nectar.
Over the granite outdoor tank, sits the volume of the small office, both outside and inside, trying to connect the two spaces.
Access is from a stairs, also in timber. An elevated gantry allows for circulation and connects the higher levels of the site to the west with that of the office floor.
The roof overhangs the stone paved entrance, in so doing covers the arrival space, the toilets and a “vat” which is the laboratory.
Light, only as much as is needed, is filtered through a timber screen.
Inside, the wine is kept, maturing, after the business of the harvest, the crushing, the fermentation and all the knowledge inherent to this process.
The works at the winery led to the re-thinking of the external space. Some trees were transplanted, some stones moved, some new tanks were built, as in the old times, with floors of great stone slabs.
Some water sources that had been forgotten were again tapped into and used.
The winery is no longer what it used to be. It is now better, as is the wine.
It is fresh, as is the wine. The green wine. »
« Span de Damian Evans Amorfurniture par A7 »
Tous droits réservés ⎮ 2011 ⎮ Muuuz
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Le design et l’archi viennent du même tonneau des danaïdes: la vision,la lecture contextuelle et l’écriture visuelle et conceptuelle…. voila du design à lire .. et à relire. Je ne vais pas en faire des barriques, il y aura certainement plus brillant, plus stylé que moi sur ce fil …
Quelle curieuse construction. Pour moi qui ne suis d’ordinaire pas fan du lamellé collé j’avoue que c’est fort réussi. simplicité et sénitude du bois, architecture intemporelle (pour l’instant). le sympa petit clin d’œil à la propriété viticole avec la guérite en forme de foudre…..ne risque pas de s’attirer celles du seigneur tellement elle est ancrée dans sa terre et son naturel. Que dirait Maupado de la couleur des tuiles? Respectent-elles la couleur règlementaire? Sortent-elles du moule qui convient. Un rouge oui……mais un gros rouge qui fâche………Avez-vous noté le parallèle entre le dessin de la charpente et les siège style « Africa » de chez Habitat?……..
qu’elle soit ancrée dans sa terre et recouverte de tuiles la prive des foudres du seigneur, l’idée ressemble en effet à de la provocation. Bah, on est pas obligé de construire en béton, acier et verre pour être moderne et rationnel. Encore qu’avec le dernier terme, il convienne d’être prudent, puisque les « ratio » pencheraient plutôt du côté des « Post-Mo » à mon goût, mais bon, je peux dire des conneries, non? En tout cas, pour moi c’est clair que si t’es pas obligé de construire comme ça et que tu le fais quand même, t’es un pervers. Et le bidule en forme de foudre, c’est vraiment de la pure anecdote, comme le bassin couvert. Pourquoi pas?
L’eau ne court pas tout autour, c’est dommage, en plus de la régulation thermique, ça aurait été efficace contre les bestioles…