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Dossier : 4 photographes d’architecture à connaître

Contemporary photographers sublimate architecture through photos published on their Instagram account. Here are four inspiring profiles to discover on the social network and to follow without further delay.

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Daniel Rueda and Anna Devís (@drcord)
Originally from Valencia (Spain), the duo of photographers immortalize Hispanic cityscapes through pop shots. Taking turns on stage in front of the city's most iconic buildings, Daniel Rueda and Anna Devís recount their architectural walks in pictures and publish them on Instagram.

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Macenzo (@macenzo)
The Dutch photographer Macenzo is illustrated through a style that he himself calls “Photographic”, a contraction of the English terms “photography” and “graphic” which perfectly summarizes the style of his shots. After having worked with various film cameras, he now enriches his Instagram “portfolio” with original architectural photographs taken with his iPhone and retouched using dedicated applications.

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Camille Gharbi (@ camille.gharbi)
Spotted at the 2019 edition of the Circulation (s) festival in Paris thanks to his series "Pr clips of love", the French architect and photographer Camille Gharbi photographs architectures, people or even objects, and always approaches them with a a critical look, as is the case in “Places of life”, where she presents makeshift settlements in the heath camp but decontextualizes them. Halfway between documentary photography and plastic photography, Camille Gharbi's images are as attractive as they are disturbing, and thus challenge us.

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Laurent Kronental (@laurentkronental)
Laurent Kronental was noticed thanks to two series which sublimate the large ensembles of the Paris region. The first, entitled “Souvenir d'un Futur”, shows the most avant-garde buildings scattered around Paris, in the inner suburbs and outer suburbs, such as the famous Aillaud towers in Nanterre, in the Pablo-Picasso district. in Nanterre (92), or the remarkable Étoiles by Jean Renaudie and Renée Gailhoustet in Ivry-sur-Seine (94). The second, "Les Yeux des Tours", presents these emblematic constructions to us through their windows. By taking a sensitive look at these architectures, he reminds us that they are also and above all lived spaces.

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